Honestly, Nevermind album cover by Drake

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2022 · From the album Honestly, Nevermind

Jimmy Cooks (feat. 21 Savage)

by Drake

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03:38 Runtime
Rap Genre

The reading

A surprise rap closer on a dance album, where Drake and 21 Savage pivot from house grooves back to street posturing and tributes to fallen friends

02 · Interpretation

Jimmy Cooks: Drake's Hard Pivot Back to Rap

E Editorial Desk

Honestly, Nevermind spends most of its runtime in low-lit dance music, so when Jimmy Cooks crashes in at track fourteen with a stuttering drum loop and the chant "Just awaken shaken once again, so you know it's on," the effect is structural. The album has been one mood; this is another. Drake closes his house experiment by reassuring his core rap audience that the pivot was a choice, not a retirement.

The title itself signals that. "Jimmy" is a nickname tied to Drake's pre-fame acting work, and pairing it with "Cooks" frames the song as the rapper version of him stepping back into the kitchen. The line about "cookin' up ambition on a kitchen stove," with the pot bubbling until it is "good to go," is the song's thesis in miniature: the work is done in private, the result is public.

A verse built on flexes and grief

Drake's opening verse moves quickly between a tribute and a series of one-up brags. He dedicates an early line to Lil Keed, the Atlanta rapper who died in May 2022, weeks before release. From there he runs through familiar Drake registers: dismissing a woman's other suitor by promising her courtside seats instead of the "middle row," mocking fake jewelry with talk of "Bustdown everything, set in rose gold," and joking about caution around federal cases ("I can't get RICO'd"). The boasts are not new for him, but the speed and density are sharper than anything else on the album.

The hook reframes the flexing as loyalty. He wants to "throw a party for my day ones," the friends who would "lay somethin'" even if they are not in the studio, code for being willing to use violence on his behalf. He shouts out Drama King, the late mixtape DJ Kay Slay (Keith Grant), who died in April 2022. The party, in other words, is also a wake. The challenge that follows, "You don't like the way I talk, say somethin'," reads less as a threat to a specific rival than as a general dare to anyone reading the album's left turn as weakness.

21 Savage as counterweight

21 Savage's verse is the longest stretch of straight street rap on Honestly, Nevermind, and it works because his deadpan is the opposite of Drake's needling charm. He spins blocks, smacks heads "like he Bart," and frames an opp's arrival in a Rolls and departure on a stretcher as ordinary commerce. The references rotate through pop culture quickly: Rick Ross and lemon pepper wings, Complex host Nadeska Alexis, Will Smith's Oscars slap from earlier that year, a Tesla owner who wants Afrobeats. The cultural-moment density dates the verse precisely to spring 2022 and gives the threats a wink without softening them.

The gun talk is detailed in a way Drake's rarely is, the "Glock 45 came with a switch" line landing as both technical brag and rhythmic punchline. When 21 pivots to slang play ("slide agaizzin," "no frizziends," "my twizzin"), the menace turns almost playful, a reminder that he and Drake share a sense of humor under the posturing.

Why the closer matters

Jimmy Cooks went on to debut at number one on the Billboard Hot 100, the only single from Honestly, Nevermind to do so, which says something about how listeners received the album. Many heard the dance experiments as a detour and treated this song as the real Drake reasserting himself. That is a partial reading. The track is positioned as a coda, not a correction. Its job is to bookend a record that otherwise refuses to do the thing Drake is most famous for.

It endures because it is efficient. In under four minutes it delivers a Drake-21 reunion (the pair would go on to make a joint album later that year), eulogizes two artists lost weeks before release, and closes an experimental project with a gesture toward continuity. The party for the day ones is also the funeral, and the dare to anyone with complaints is also the door slamming on the album behind it.

03 · Lyrics

"Jimmy Cooks (feat. 21 Savage)"

Just awaken shaken once again, so you know it's on

Just awaken shaken once again, -, you know it's on

Just awaken shaken once again, so you know it's on

Just awaken shaken once again, -, you know it's on

Yeah, life

Life is the only thing we need

They need me to go, but I don't wanna leave

Rest in peace to Lil Keed

Pigeonhole, I'm a night owl, this a different mode

I might have to make her paint a six on her pinky toe

Heard you with a shooting guard, just let a - know

I would have you courtside, not the middle row

All good, love, in a minute, though

I can't stress about no - 'cause I'm a timid soul

Plus I'm cookin' up ambition on a kitchen stove

Pot start to bubble, see the suds, that - good to go

Say I'm suave, but I can't get RICO'd

Bro think he John Wayne, I bought him yellow stones

Love the way they hang, babe, - the silicone

Everybody fake now, you could crack the code

Bustdown everything, set in rose gold

Dread talkin' to you - like I'm J. Cole

I can tell her head good before I even know

Don't tell me that you model if you ain't been in Vogue

Gotta throw a party for my day ones

They ain't in the studio, but they'll lay somethin'

Rest in peace to Drama King, we was straight stuntin'

You don't like the way I talk? -, say somethin'

Gotta throw a party for my day ones

Pull up, and you know it's us, the bass jumpin'

You don't like the way I talk, then say somethin'

Get out my face, -

Gotta throw a party for my day ones

They ain't in the studio, but they'll lay somethin'

Rest in peace to Drama King, we was straight stuntin'

If I let my - 21 tell it, you a -

Spin a block twice like it ain't nowhere to park (21)

Smack the backside of his head like he Bart

OVO 4L, we come out when it get dark (21, 21)

Big stepper, he came in a Rolls, but he left in a stretcher (21)

Let my brother drive while I shoot, team effort (21)

Askin' all these questions, -, you must think you Nadeska

The chopper like to feel on all the opps, it's a molester (21)

I be with my gun like Rozay be with lemon pepper

She wanna hear some Afrobeats 'cause she just popped a Tesla

All that workin' out, that - must think he a wrestler

But this ain't UFC, this chopper came with a compressor (21)

This chopper came with a compressor

This chopper came with a-

This Glock 45 came with a switch (21)

If I was Will Smith, I would've slapped him with a stick

Put your hands in the air, it's a stick-up (21)

Spin the same hood where I get my - sucked (facts)

If you standin' on business, put your blick up (21, 21)

Come around actin' scary, get your - took (21)

Fell in love with feelin' dizzy, so I spizzin (21)

I got mad love for the boy, yeah, that's my twizzin (21)

If them - keep on dissin', slide agaizzin (21)

We the reason why the opps ain't got no frizziends (21)

Last - played with me got turned duppy

I ain't even roll him in the wood 'cause he musty

You ask, how she doin'? I just tell her come and - me

Shot his - 20 times, damn, this - lucky (damn, that - lucky)

Gotta throw a party for my day ones

They ain't in the studio, but they'll lay somethin'

Rest in peace to Drama King, we was straight stuntin'

You don't like the way I talk, -, say somethin'

Say somethin', say somethin', say somethin'

Say somethin', say somethin'

You don't like the way I talk, -

Say somethin', say somethin', say somethin'

Say somethin', say somethin'

Lyrics via Google. Copyright belongs to rights holders.

04 · FAQ

Frequently asked

Why is the song called Jimmy Cooks?
Jimmy is a nickname tied to Drake's acting past as Jimmy Brooks on Degrassi, and "cooks" plays on the kitchen-stove imagery in his verse, where he raps about "cookin' up ambition on a kitchen stove." The title frames the song as the rap-Drake version of him getting back in the kitchen after an album of dance experiments.
Who is Drake paying tribute to on Jimmy Cooks?
He name-checks two artists who died shortly before the album's June 2022 release. "Rest in peace to Lil Keed" refers to the Young Stoner Life rapper who died that May, and "Rest in peace to Drama King" honors DJ Kay Slay, the New York mixtape pioneer who died in April. Both lines land inside otherwise boastful verses.
Why does Jimmy Cooks sound so different from the rest of Honestly, Nevermind?
The rest of the album leans into house, Jersey club, and Baltimore club production, with Drake mostly singing. Jimmy Cooks closes the record with a conventional trap beat and full rap verses from him and 21 Savage. The contrast is deliberate, giving listeners who came for rap a final track aimed squarely at them.
What does 21 Savage's line "This Glock 45 came with a switch" mean?
A switch is a small device that converts a semi-automatic pistol into a fully automatic weapon, illegal in the United States. 21 Savage pairs it with the line about a "compressor," using firearm specifics as both threat and punchline. The detail is characteristic of his deadpan style, where technical precision intensifies the menace.
What is the Will Smith reference in Jimmy Cooks about?
21 Savage raps, "If I was Will Smith, I would've slapped him with a stick," referring to Smith striking Chris Rock at the March 2022 Oscars. The line dates the verse precisely and reframes the slap as insufficient force. It is one of several 2022 pop-culture markers in his verse, alongside the Nadeska and Tesla mentions.
How did Jimmy Cooks perform on the charts?
It debuted at number one on the Billboard Hot 100, becoming Drake's tenth chart-topper and 21 Savage's third. It was the only song from Honestly, Nevermind to reach the top spot, which many took as a sign that listeners preferred Drake in rap mode to the album's dance direction.
Did Drake and 21 Savage make more music together after Jimmy Cooks?
Yes. The chemistry on this closer set up Her Loss, a joint Drake and 21 Savage album released in November 2022, just five months later. Jimmy Cooks effectively functions as the trailer for that project, even though it was packaged as the final track on a very different record.
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